Waiting to be found
Word of mouth and SoundBetter decide when you work. You never pick the month the next artist shows up, or whether one does.
The client acquisition system I build and run for producers who are done relying on luck.
The Cube System.
Work with me✕ WHY THIS HAD TO BE BUILT
Every producer runs two jobs. Nobody trained you for the second one.
You're a producer, mixing engineer, or mastering engineer. Job one is the work, and you're good at it. Job two is finding the next paying artist, every single month. Right now job two runs on whatever time job one leaves over, and it shows.
Chasing
Following up with artists who already forgot you. Every chase takes time from a record and makes you smaller.
Getting ghosted
"We'll reach out when something comes up." Enough of those and you brace for the no before you even ask.
Content as a second career
Posting to stay visible when the goal was making music. A year of likes doesn't pay rent.
Pricing by panic
A quiet month hits and the rate drops "just this once." It never goes back up on its own.
Selling to the wrong artists
You can't tell who'll pay from who's just looking, so you pitch everyone and burn out on the wrong ones.
None of this is a talent problem. It's what happens when a skilled producer runs the hunt for work in his spare time. That's the job I take off your hands.
That is why the Cube exists.□ WHAT THE CUBE DOES
One model hopes someone shows up. The Cube makes sure they do.
Most advice hands the second job back to you: post more, build a brand, stay visible, follow up. Even when it works, it's slow, it's trial and error, and it eats the hours you should spend on paid work.
The Cube is that second job, done for you. I build the machine that brings artists in, I run it, and I tune it every week. You stop leaving your income to luck.
The right artists show up in your DMs already wanting to work. You talk to them and make the records.
≈ HOW IT WORKS
What happens when you start.
Here's what changes from week one.
/01
←Week one: your offer and profile
I get your offer clear: what you do, who it's for, and why now. Then I rebuild your profile so the right artist lands on it and thinks "this is exactly what I need." You send me your best work and answer my questions. That's your part.
/02
→The first weeks: the engine goes live
I launch ads built for music work and start daily artist sourcing. You decide how busy you want to be, and I set the tap to match. You don't post on a schedule or build an audience first.
/03
←Every week: I tune it
I read the numbers, kill what doesn't pull, and keep the wrong artists out before they reach your DMs. Broke artists, tire-kickers and the "just curious" never make it to you.
/04
→Your part: talk, close, deliver
Artists show up in your DMs already wanting in. Three messages, one yes or no, settled without a call. You pick, they pay, you make the record.
▶ PROOF OF WORK
Every producer below used the same system: the Cube. Here are the results:
ADAM
From $500 custom production → full-time, starting at $2,500.
FELIX
From $0 custom production → full-time, publishing deal.
TOMAS
From laid off → full-time remote producer/engineer in 5 months.
KEN
From $300 beat sales → full-time custom productions starting at $1,000.
DAVE
Got a cleaner offer and started pulling paying artists in.
JACQUE
Turned scattered demand into a sharper path to paid work.
JUHO
Stopped waiting on luck and got a direct path to paying artists.
TYLER
From $0 in custom production (hard music niche) → full-time in 3 months.
SAM
SAE graduate with no job offers → full-time remote producer in 4 months.
WHY ME
Why I'm better at this than anyone else in the niche.
Plenty of people sell producers advice. Here's what I bring that they can't.
Producer first
I've made records for years, for KSHMR, KARRA and K-pop artists, released on Dharma. I know how artists hire, because they've hired me.
Close to a hundred producers
Since 2021 I've worked with close to a hundred producers and engineers, including GRAMMY winners. Every rule in the Cube comes from watching who paid and who disappeared.
Tools nobody else hands you
I built my own software to find the right artists and run your inbox. You use it while I run everything, and you keep it when I step back.
Most people in this niche tell you what to do. I build it, run it, and leave you the tools to keep it going.
◇ WHAT YOU GET
My job: rebuild your offer and profile, run the ads and the outreach every day, keep the time-wasters out, and tune it every week.
Your job: talk to the artists who show up, close them, and deliver records good enough that they come back.
You do the part you're actually good at. I do the part you've been fucking up for years.
✓ WHO THIS IS FOR
This is for producers and engineers with the skill who face a real business problem right now.
If you’re not under pressure to solve your problem, you’ll be rejected at the entrance.
YOU QUALIFY IF
- You have proven ability but inconsistent or collapsing income.
- You tried freelance platforms, referrals, or word of mouth and it did not work.
- You need paying artists coming in within the next 30 to 60 days.
- You are ready to decide now, not someday.
YOU DO NOT QUALIFY IF
- You’re “exploring options.”
- You are a hobbyist or a beginner.
- You have no immediate urgency to fix your situation.
- You won't show up on camera or talk to the artists who come in.
- If you’re curious but not ready to act, don’t book.
? FAQ
The questions producers ask before they decide.
Is this coaching?
No. I build and run the machine. The only coaching is on the two parts that have to be you: talking to artists and filming.
Can this work for me if I'm good but unknown?
Yes. The system runs on your skill, not your fame.
Will I have to argue with artists in DMs?
No. I build it to keep the non-serious ones out before they reach you, and to pull in artists with a real project and the budget for it. By the time they DM you, they've already decided.
I hate selling. Is that a problem?
No. Selling feels bad when you're convincing someone who isn't sure. The artists who reach you already want in. You answer their questions, name your price, and decide if you want the project.
How much time does this take?
Most of it is mine. Your part is answering artists in your DMs, about 30 minutes a day, and filming once a week, about 1 hour.
So you're a manager?
No. I don't touch your career or your releases. I build the machine that gets artists hiring you to produce and mix.
Do you work on commission?
No. You pay for the system I spent years building. Your deals stay yours.
Why is it called The Cube?
Because it holds its shape when times get bad. Solid on every side. The usual advice is a loose pile of tactics that falls apart the second you stop pushing.
→ IF YOU’RE THINKING ABOUT IT
Don’t think. Decide.
Book a session and show me where your business stands. I'll tell you plainly whether I can help and what working together would look like.
Work with me