Producer Development®
Producer Development®
You can hear when a record is done. You can't hear where next month's money comes from.
You're running two jobs. One is making records, and you're great at it. The other is finding the next paying artist, and nobody ever trained you for it. So the second job gets your leftovers. A post when you remember. A lower rate when it's quiet. Hoping the last happy artist tells a friend. It works just often enough that you never fix it. I take the second job off your hands. I build the machine that brings artists in, and I run it every week. You make records and talk to the artists who show up. Below is what that looks like.
(4)
I've helped music pros across the globe get paid on purpose. Here are some recent students.
I'm Ed. I'm blunt, I count everything, and I think most music-business advice is grown men doing astrology. If you want your client acquisition built and someone who tells you the truth about your numbers every week, that's the whole store.
